Lella & Massimo Vignelli Ara Console Table In Wood And Glass By Driade 1970s

£3,377 per item
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Borgo a Buggiano , Italy
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Dimensions
W 140 cm
x
H 74 cm
x
D 36 cm
Wear Condition
Wear conditions

Good

Material

Glass, Other Wood

Style

Modernist, Vintage, Postmodern

Product Details

Description

Ara console table with a wooden structure and a glass top, was designed by Lella and Massimo Vignelli and manufactured by Driade in 1974.

Licterature: G. Gramigna, Repertorio del Design Italiano 1950-2000, p. 225, Allemandi, 2003.

On January 10, 1931, Massimo Vignelli was born in Milan, Italy. He attended an art school, Accademia di Belle Arti di Brera, before earning an Architecture degree from the Politecnico di Milano, in 1953. During the period between 1953 and 1957, he attended the School of Architecture and the University of Venice. Early in his professional career, his chief area of expertise was graphic designing for products and corporate identity creation. Also, Vignelli tweaked a design for the ‘Fungo’ table lamp by creating a series of lighting fixtures. In the late 1950s, he earned a fellowship to study in the United States at Towle Silversmiths, Massachusetts, and the Institute of Design, Chicago. In 1957, he married Lella Vignelli, whom he met at an architecture convention. A few years later they established their small design studio, the Lella and Massimo Vignelli Office of Design and Architecture, Milan. The studio dealt with designing domestic products, office accessories, graphics and furniture.

In 1965, the Vignellis moved to Chicago, US, where they founded Unimark International which specifically focused on corporate graphic designing. It was Vignellis’s innovative IDEA of introducing the Helvetica typography in visual communication that went viral all over United States. They employed rudimentary geometric shapes such as cube, pyramid, spheres and cylinders in a variety of product designs. These designs appeared balanced, appealing and functional. According to the founder of the firm, the designer should be able to design everything from a needle to a whole metropolis. A wide-range of deigning programs was introduced in the company from environmental planning to tableware and packaging showcasing versatile and novel ideas.
In 1966, Vignelli expanded his business and launched a branch of Unimark International in New York. Soon it became the largest firm in the world for its Expansion into an array of domains and covering a variety of lifestyles. The firm takes pride in establishing some of the notable and prestigious corporate identities, including that of American Airlines. Vignelli designed the signage for the New York City Subway system and the DC Metro. In 1971, he resigned from the company as he got sidetracked from the vision he created and single-mindedly focused on product marketing rather than the design itself. Subsequently, Vignelli and Lella founded another firm, Vignelli Associates. Once again his firm attracted high-profile clients seeking corporate identity assistance. These top-notch corporations included Knoll, Bloomingdale’s, and IBM.

In addition to art direction, Vignelli also penned a book, titled Vignelli: From A to Z. The book details Vignelli’s ideas and vision with regard to graphic designing in the form of essays. The essays are organized in an alphabetical order as hinted in the title. They are based on somewhat the same course Vignelli gave lectures on while teaching at Harvard’s School of Design and Architecture. In 2009, Vignelli launched a free e-book, The Vignelli Canon,with the aim of passing on his legacy and treasure of knowledge on designing to young designers. Massimo Vignelli died on May 27, 2014.

Condition report:

Good. Wear consistent with age and use.

Material
Glass, Other Wood
Manufactured
1970s
Style
Modernist, Vintage, Postmodern
Origin
Italy
Item location
Borgo a Buggiano , Italy
Period
Late 20th Century
Designer
Massimo Vignelli
Brand
Driade
Condition
Used
Professional Seller
Vinterior since 2021

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Wear conditions

Excellent

Shows little to no signs of wear and tear.

Good

May show slight traces of use in keeping with age. Most vintage and antique items fit into this condition.

Average

Likely to show signs of some light scratching and ageing but still remains in a fair condition.

Apparent Wear and Tear

Visible signs of previous use including scratches, chips or stains.

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    Applies to furniture with a final selling price of up to £5,000 (excluding delivery and service fees) and delivered from a UK mainland seller to a mainland UK address. Excludes Northern Ireland, Channel Islands, Scottish Highlands & Islands, Isle of Wight and Isles of Scilly.
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