Antique French Kingwood Ormolu Pier Cabinet Sevres Plaques 19th Century

This stunning antique French king wood, ormolu and Sèvres Porcelain-Inset Meuble d`Appui pier cabinet dates from circa 1880.
 
The demi lune white Carrara marble top has a pierced brass gallery above a central cupboard door inset with five large turquoise and floral Sevres porcelain plaques and flanked by canted stiles inset with six further small plaques, which opens to real a single shelf.

The cabinet is set on a serpentine base with scrolled apron and raised on stout cabriole legs with ormolu cast mounts and sabots.
 
Add this beautiful pier cabinet with its great provenance to any room in your home.

 
Provenance:
Corby Castle,Carlisle, England
Lord and Lady Ballyedmond
See photo

 
Condition:

In goodcondition. As an antique item, the pieces shows signs of use commensurate with age, these minor condition issues are mentioned for accuracy and, as seen in the accompanying photographs, it displays beautifully.

Dimensions in cm:

Height 98 x Width 63 x Depth 32

Dimensions in inches:

Height 3 foot, 3 inches x Width 2 feet, 1 inch x Depth 1 foot, 1 inch

Corby Castle
One of Cumbria's most historically important mansion houses, grade I-listed Corby Castle sits on a plateau, rising above the picturesque River Eden to the east of Carlisle. The Manor of Corby was granted to Hubert de Vallibus by Henry II and passed to Andrew de Harcia, Earl of Carlisle before being given to Richard Salkeld in 1336. The estate remained in the hands of the Salkeld family until it was sold in 1611 to Lord William Howard, the third son of Thomas Howard, 4th Duke of Norfolk. The house is built around a red sandstone peel tower, or fortified tower house, built in the 13th century; William Howard added a two-storied L-shaped house to the peel tower, and the house was once again modified in the early 19th century by descendant Henry Howard. Between 1812 and 1814, Scottish architect Peter Nicholson gave the castle a new rectangular plan and the harmonious neo-classical façade in the distinctive local red sandstone that graces the building today. Corby Castle remained in the Howard family until 1994, when Lord and Lady Ballyedmond, as new owners, began an inspired revival of Corby, giving new life to one of the great Cumbrian mansions.

Sevres Porcelain
traces its roots in France to early craftsmen who had small manufacturing operations in such places as Lille, Rouen. St. Cloud, and most notably Chantilly. It is from Chantilly that a cadre of workers migrated to the Chateau de Vincennes near Paris to form a larger porcelain manufactory in 1738.

French King Louis XV, perhaps inspired by his rumoured relationship with mistress Madame de Pompadour, took an intense interest in porcelain and moved the operation in 1756 to even larger quarters in the Paris suburb of Sevres. Sevres was also conveniently near the home of Madame de Pompadour and the King's own Palace at Versailles.

From the outset the king's clear aim was to produce Sevres Porcelain that surpassed the established Saxony works of Meissen and Dresden. Though the French lacked an ample supply of kaolin, a required ingredient for hard-paste porcelain (pate dure), their soft-paste porcelain (pate tendre) was fired at a lower temperature and was thus compatible with a wider variety of colours and glazes that in many cases were also richer and more vivid. Unglazed white Sevres Porcelain "biscuit" figurines were also a great success. However, soft-paste Sevres Porcelain was more easily broken. Therefore, early pieces of Sevres Porcelain that remain intact have become rare indeed.

The Sevres Porcelain manufactory always seemed to be in dire financial straits despite the incredibly fine works it produced. In fact, the king's insistence that only the finest items be created may have contributed to the difficulties. Only a limited number of European nobility could afford the extravagant prices demanded for such works. King Louis XV and eventually his heir, the ill-fated Louis XVI, were obliged to invest heavily in the enterprise. Ultimately, the Sevres Porcelain Factory produced items under the name of "Royal" and thus the well-known Sevres mark was born. King Louis XV even mandated laws that severely restricted other porcelain production in France so as to retain a near monopoly for his Sevres Porcelain. The king even willingly became chief salesman for the finest of his products, hosting an annual New Year's Day showing for French nobility in his private quarters at Versailles. He eagerly circulated among potential buyers, pitching the merits of ownership and policing the occasional light-fingered guest.

Sevres Porcelain may have indeed given the makers of Meissen and Dresden a run for their money by the end of the 18th Century but for the French Revolution. By 1800, the Sevres Porcelain Works were practically out of business due to the economic devastation of the new French Republic.

About the time when Napoleon Bonaparte named himself Emperor of France (1804), a new director was named for the Sevres Porcelain Manufactory. Alexandre Brongniart, highly educated in many fields, resurrected Sevres Porcelain. Soft-paste porcelain was eliminated altogether thanks to the earlier discovery of kaolin near Limoges. For four decades until his death, Brongniart presided over monumental progress for Sevres Porcelain, catering not only to Napoleon himself, but at last to include the more financially profitable mid-priced market in the emerging middle class.

Burr Walnut refers to the swirling figure present in nearly all walnut when cut and polished, and especially in the wood taken from the base of the tree where it joins the roots. However the true burr is a rare growth on the tree where hundreds of tiny branches have started to grow. Burr walnut produces some of the most complex and beautiful figuring you can find.

Ormolu (from French 'or moulu', signifying ground or pounded gold) is an 18th-century English term for applying finely ground, high-carat gold in a mercury amalgam to an object of bronze.The mercury is driven off in a kiln leaving behind a gold-coloured veneer known as 'gilt bronze'.

The manufacture of true ormolu employs a process known as mercury-gilding or fire-gilding, in which a solution of nitrate of mercury is applied to a piece of copper, brass, or bronze, followed by the application of an amalgam of gold and mercury. The item was then exposed to extreme heat until the mercury burned off and the gold remained, adhered to the metal object.

No true ormolu was produced in France after around 1830 because legislation had outlawed the use of mercury. Therefore, other techniques were used instead but nothing surpasses the original mercury-firing ormolu method for sheer beauty and richness of colour. Electroplating is the most common modern technique. Ormolu techniques are essentially the same as those used on silver, to produce silver-gilt (also known as vermeil).
 

Carrara marble - is a type of white or blue-grey marble popular for use in sculpture and building decor. It is quarried at the city of Carrara in the province of Massa-Carrara (Tuscany, Italy).

Carrara marble has been used since the time of Ancient Rome; the Pantheon and Trajan's Column in Rome are constructed of it. Many sculptures of the Renaissance, such as Michelangelo's David, were carved from Carrara marble. For Michelangelo at least, Carrara marble was valued above all other stone, except perhaps that of his own quarry in Pietrasanta. The Marble Arch in London and the Duomo di Siena are also made from this stone, as are the interiors of Manila Cathedral, the cold-white marbles of the Sheikh Zayed Mosque and the campus of Harvard Medical School.