Swans Nest Landscape British Victorian Impressionist Art Exhib Oil Painting
Stourbridge, United Kingdom
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Dimensions
Wear Condition
Good
Material
Oil Paint
Style
Antique, Victorian
Product Details
Description
This lovely Scottish Victorian Impressionist landscape oil painting is by noted artist Sir Charles Lawton Wingate. It was painted in 1880 and exhibited 1882 at the Royal Academy London entitled A Swan's Nest Amongst the Reeds. The composition is a river landscape with two swans in the foreground, one on a nest on the edge of a reeded bank. There is a wooded landscape running along the edge of the river and the season looks to be early spring with some trees beginning to come in to leaf and others still bare. The reeds and bull rushes are still white from dying back in winter but there is some lovely vivid greens as well. There are beautiful reflections of the sky in the water and some great brushwork. This is a charming Scottish Impressionist 19th century oil painting and a lovely example of Wingate's work.
Signed lower.
Provenance. Exhibited: Royal Academy London, 1882 no. 727 entitled A Swan's Nest Amongst the Reeds.
Label verso.
Condition. Oil on canvas, unframed size is 43 Inches by 35 inches and in good condition.
Frame. Housed in a gilt James Bourlet frame, framed size is 50 inches by 42 inches and in good condition.
Sir Charles James Lawton Wingate (1846-1924). Born at Kelvinhaugh near Glasgow in 1846, Wingate's career as a boy clerk in a Glasgow commercial house was overshadowed by his taking drawing lessons in the early morning before work. Ruskin's Modern Painters and Elements of Drawing were a stimulus to him, as was the Pre-Raphaelite tradition, as seen in Scotland in the paintings of Waller Paton. From pencil studies, he constructed watercolour drawings which he exhibited for the first time in 1864 at the Glasgow Fine Art Institute. The appreciation he received for his work induced him to give up all thought of a commercial career and with £70 as his savings, he went on a six months tour of Italy (1867-68), where he studied the works of the great masters and for the first time painted directly from nature. The tour resulted in the production of about 150 watercolour drawings. After his return to Scotland he based himself in Hamilton for about five years. The neighbouring Cadzow Forest, beloved by Sam Bough and Alexander Fraser, gave him the opportunity of careful study of tree forms, of which he made excellent use in later life. He then moved on to Edinburgh, where he studied at the RSA Schools. The turning point in his career came through meeting Hugh Cameron at Comrie, in Perthshire, in the autumn of 1873. Cameron was a genial and helpful critic. Wingate sturdily defended his work as being true to fact; Cameron's reply "I feel the work to be wrong and art is not an affair of argument, it is an affair of feeling" struck him with irresistible force. In 1874 he went to Muthill, near Crieff, in Perthshire, painting rustic subject matter such as 'The Wanderers' and 'The Quoiters', which drew public attention. 'The Wanderers' ensured his election to Associate rank in the Academy. From 1880-86 he made Muthill his home and in the later years he gained full membership of the Academy. Later he moved to Colinton and afterwards to Slateford, both in the vicinity of Edinburgh and 1913 he came to the capital. Thereafter he came increasingly under the influence of William McTaggart and his style became much more free, although with the same affection for the Scottish Countryside. The sky as the source of light, treated by so many painters in a perfunctory way is with him all-important. He exhibited at the RA from 1880, but showed mainly at the RSA from 1865. He became President of the RSA in 1919, resigning shortly before his death in Edinburgh, aged 78.
Condition report:
Good
Wear Condition
Good
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Wear conditions
Excellent
Shows little to no signs of wear and tear.
Good
May show slight traces of use in keeping with age. Most vintage and antique items fit into this condition.
Average
Likely to show signs of some light scratching and ageing but still remains in a fair condition.
Apparent Wear and Tear
Visible signs of previous use including scratches, chips or stains.
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Last updated: 12/02/2026
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