Modern British 20th Century Art By Frank Dobson Reclining Female Nude With Crossed Legs (Framed Drawing)
Angmering , United Kingdom
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Dimensions
Wear Condition
Good
Material
Paper, Other Wood
Style
Vintage
Product Details
Description
An original drawing on paper in red chalk which is signed by the artist lower centre and dated (19)25. It was from a small collection of works by Frank Dobson which had the provenance of the artist’s estate and the Gillian Jason Gallery. This work bears the estate reference 3044 ‘Reclining Nude’. It has been reframed in recent years to a good standard. These aren’t noticeable other than under close inspection.
Frank Dobson, CBE, RA, ARBS, PLG (1888-1963) was known internationally as a sculptor of portraits and figure subjects in bronze, stone and terracotta, and he also painted in watercolour and drew extensively in chalk and Indian ink. He was born in London, son of an artist and illustrator, and initially he studied art under his father. Later he worked in the studio of Sir William Reynolds-Stephens 1902-06, then at Hospitalfield, Arbroath (Stephen’s Scholar) 1906-10, and subsequently at the City and Guilds School, Kennington. His first solo show at the Chenil Gallery, of paintings and drawings, took place in 1914. At this stage of his career he was more concerned with painting, and did not make his first wood carving until 1913. His first solo show as a sculptor was held at The Leicester Galleries in London in 1921. He exhibited with the New English Art Club in 1920 and joined The London Group of artists in 1922 and served as their President 1923-27. Dobson began exhibiting at the Royal Academy in 1933 and was elected ARA in 1942 and RA in 1952. He was also elected an Associate of the Royal Society of British Sculptors in 1938 and was Professor of Sculpture at the Royal College of Art 1946-53. Dobson received the CBE in 1947. His work is held in many public collections, including the Tate Gallery, London. A memorial exhibition was held by the Arts Council in 1966 and in 1994 there was a major retrospective at the Henry Moore Institute in Leeds.
Condition report:
The drawing is overall in good condition for its age, with just a few odd spots of light foxing to the paper.
Additional dimensions information:
About 11.6 x 16.7 inches visible paper size
Wear Condition
Good
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Free collection available
Yes
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Reviews
5.0
Based on 4 reviews
Wear conditions
Excellent
Shows little to no signs of wear and tear.
Good
May show slight traces of use in keeping with age. Most vintage and antique items fit into this condition.
Average
Likely to show signs of some light scratching and ageing but still remains in a fair condition.
Apparent Wear and Tear
Visible signs of previous use including scratches, chips or stains.
Please refer to condition report, images or make a seller enquiry for additional information.
Cancellations and Returns
Last updated: 12/02/2026
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