Portrait Of A Sixty Year Old Woman Dutch Old Master Art Oil Painting
Stourbridge, United Kingdom
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Dimensions
Wear Condition
Good
Material
Oil Paint
Style
Antique
Product Details
Description
This strong Dutch Old Master portrait oil painting is attributed to a follower of Anthony Van Dyck. Van Dyck painted the original portrait in 1618 as he noted top right Anno 1618. He also noted top left in Latin that the sitter was Aetatis svae or ‘at the age of’ 60. Our painting has the same notation. The portrait is of an elderly lady depicted from the chest up, wearing a dark coloured dress with gold buttons and a large, white ruffed collar and white cap. She is looking at the artist/viewer with a serious gaze. She may indeed be slightly smiling but is still rather imposing. The dark background accentuates the portrait and her white collar and hat and the luminosity of her face as the light catches it. Although the portrait is not by Van Dyck it is a very good likeness by an assured hand with great attention to detail and some lovely brushwork.
Unsigned.
Provenance: London estate.
Condition. Oil on canvas, image size is 26 inches by 20 inches and in good condition.
Frame. Housed in a gilt frame. Framed size is 34 inches by 28 inches and in good condition.
Sir Anthony van Dyck (1599-1641) was a Flemish Baroque artist who became the leading court painter in England after success in the Southern Netherlands and Italy. The seventh child of Frans van Dyck, a wealthy Antwerp silk merchant, Anthony painted from an early age. He was successful as an independent painter in his late teens, and became a master in the Antwerp guild in 1618. By this time he was working in the studio of the leading northern painter of the day, Peter Paul Rubens, who became a major influence on his work. Van Dyck worked in London for some months in 1621, then returned to Flanders for a brief time, before travelling to Italy, where he stayed until 1627, mostly in Genoa. In the late 1620s he completed his greatly admired Iconography series of portrait etchings, mostly of other artists. He spent five years in Flanders after his return from Italy, and from 1630 was court painter for the archduchess Isabella, Habsburg Governor of Flanders. In 1632 he returned to London to be the main court painter, at the request of Charles I of England. With the exception of Holbein, van Dyck and his contemporary Diego Velázquez were the first painters of pre-eminent talent to work mainly as court portraitists, revolutionising the genre. He is best known for his portraits of the aristocracy, most notably Charles I, and his family and associates. Van Dyck became the dominant influence on English portrait-painting for the next 150 years. He also painted mythological and biblical subjects, including altarpieces, displayed outstanding facility as a draughtsman, and was an important innovator in watercolour and etching. His superb brushwork, apparently rather quickly painted, can usually be distinguished from the large areas painted by his many assistants. His portrait style changed considerably between the different countries he worked in, culminating in the relaxed elegance of his last English period. His influence extends into the modern period. The Van Dyke beard is named after him. During his lifetime, Charles I granted him a knighthood, and he was buried in St Paul's Cathedral, an indication of his standing at the time of his death.
Condition report:
Good
Wear Condition
Good
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Yes
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Wear conditions
Excellent
Shows little to no signs of wear and tear.
Good
May show slight traces of use in keeping with age. Most vintage and antique items fit into this condition.
Average
Likely to show signs of some light scratching and ageing but still remains in a fair condition.
Apparent Wear and Tear
Visible signs of previous use including scratches, chips or stains.
Please refer to condition report, images or make a seller enquiry for additional information.
Cancellations and Returns
Last updated: 12/02/2026
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