John Gordon Watsonportrait Of A Lady Old Master Scottish Art Oil Painting By Rsa Presidentcirca 1830
Stourbridge, United Kingdom
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Dimensions
Wear Condition
Good
Material
Oil Paint
Style
Antique
Product Details
Description
A fine Old Master British portrait oil painting which dates to circa 1830 and depicts a girl. Painted by the president of the Royal Scottish Academy, Sir John Watson Gordon, it is a very beautifully executed head and shoulders study of a Lady. The painting is framed in a good quality and evenly distressed 18th century gilt frame.
Provenance. Christie’s London.
Aitken Dott - Edinburgh.
Condition. Oil on canvas, 7 inches by 7 inches unframed, in good condition.
Good early 19th century frame. Framed size is 11 by 11 inches.
Sir John Watson Gordon RA PRSA (1788-1864) was a Scottish portrait painter and a president of the Royal Scottish Academy He was born John Watson in Edinburgh, the eldest son of Captain Watson, R.N., a cadet of the family of Watson of Overmains, in the county of Berwick. He was educated specially with a view to joining the Royal Engineers. He entered as a student in the government school of design, under the management of the Board of Manufactures. he showed a natural aptitude for art, and his father was persuaded to allow him to adopt it as his profession. Captain Watson was himself a skilful draughtsman, and his brother George Watson, afterwards president of the Royal Scottish Academy, was a highly respected portrait painter, second only to Sir Henry Raeburn, who was also a friend of the family. In 1808 John exhibited a picture "The Lay of the Last Minstrel" at the Lyceum in Nicolson Street, Edinburgh – the first public exhibition of paintings in that city – and continued for some years to exhibit fancy subjects; but, although freely and sweetly painted, they were altogether without the force and character which stamped his portrait pictures as the works of a master. After the death of Sir Henry Raeburn in 1823, he succeeded to much of his practice. He assumed in 1826 the name of Gordon. One of the earliest of his famous sitters was Sir Walter Scott, who sat for a first portrait in 1820. Then came JG Lockhart in 1821; Professor Wilson, 1822 and 1850, two portraits; Sir Archibald Alison, 1839 and Dr Chalmers, 1844; a little later De Quincey, and Sir David Brewster, 1864. Among his most important works may be mentioned the 1st Marquess of Dalhousie; Sir Alexander Hope (1835); Lord President Hope and Dr Chalmers. These, unlike his later works, are generally rich in colour. The full length portrait of Dr Alexander Brunton (1844) and Dr Lee, the principal of the university (1846), mark a modification of his style, which ultimately resolved itself into extreme simplicity, both of colour and treatment. During the last twenty years of his life he painted many distinguished Englishmen who came to Edinburgh to sit for him. It is significant that David Cox, the landscape painter, on being presented with his portrait, subscribed for by many friends, chose to go to Edinburgh to have it executed by Watson Gordon, although he neither knew the painter personally nor had ever before visited the country. Among the portraits painted during this period, in what may be termed his third style, are De Quincey; General Sir Thomas Macdougall Brisbane; the Prince of Wales, Lord Macaulay, Sir M. Packington, Lord Murray, Lord Cockburn, Lord Rutherfurd and Sir John Shaw-Lefevre. These latter pictures are mostly clear and grey, sometimes showing little or no positive colour, the flesh itself being very grey, and the handling extremely masterly, though never obtruding its cleverness. He was very successful in rendering acute observant character. A good example of his last style, showing pearly flesh-painting freely handled, yet highly finished, is his head of Sir John Shaw-Lefevre. Gordon was one of the earlier members of the Royal Scottish Academy and was elected its president in 1850. He was at the same time appointed limner for Scotland to the queen, and received the honour of knighthood. Since 1841 he had been an associate of the Royal Academy, and in 1851 he was elected a royal academician. He is buried in the eastern extension of Canongate Kirkyard on the Royal Mile in Edinburgh.
Condition report:
Good
Wear Condition
Good
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Wear conditions
Excellent
Shows little to no signs of wear and tear.
Good
May show slight traces of use in keeping with age. Most vintage and antique items fit into this condition.
Average
Likely to show signs of some light scratching and ageing but still remains in a fair condition.
Apparent Wear and Tear
Visible signs of previous use including scratches, chips or stains.
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