French Mid 19th Century Portrait Of An Italian Brigand. Oil On Canvas.1860s
Copenhagen, Denmark
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Dimensions
Wear Condition
Average
Material
Canvas, Oil Paint
Style
Antique
Product Details
Description
Mid 19th Century oil on canvas portrait of an Italian brigand, unsigned, in painted wood and gilt frame.
The painting is a fine and fascinating rendition with plenty of wonderful character and detail to the costume, accessories, landscape and seascape. Very atmospheric and imposing much like the character it portrays.
There is a trade stamp to the back of the canvas for the Paris firm of Susse Freres. The canvas is on a fine quality stretcher with 'keys'. There is an artist's name or title written on the top of the rear stretcher (see photo).
Bands of brigands who populated the hills of southern Italy were steady fodder for the Romantic imagination, and their exploits were reported both factually, fancifully and artistically
The painting dates from a period when France, under its then leader Napoleon III, was involved in the conflicts in the Italian states and the unification and eventual creation of the nation of Italy.
An earlier and similar portrait exists of the infamous brigand Mazzocchi by Achille-Etna Michallony .
Léon Cogniet was born in Paris. His father was a painter and wallpaper designer. In 1812, he enrolled at the École des Beaux-arts, where he studied with Pierre-Narcisse Guérin. He also worked in the studios of Jean-Victor Bertin. After failing an attempt to win the Prix de Rome in 1816, he won the following year with his depiction of Helen Rescued by Castor and Pollux and received a stipend to study at the French Academy in Rome until 1822. Before leaving, he had his first exhibition at the Salon.
In 1827, he created a series of murals on the life of Saint Stephen for the church of Saint-Nicholas-des-Champs. From 1833 to 1835, he painted a scene from Napoleon's expedition to Egypt on one of the ceilings at the Louvre. Between 1840 and 1860, he operated a popular painting workshop for women, directed by his sister Marie Amélie and one of his students, Catherine Caroline Thévenin (1813–1892), who later became his wife. After 1843, he concentrated almost entirely on teaching, with an occasional portrait. After 1855, he essentially gave up painting.
After 1831, he taught design at the Lycée Louis-le-Grand. He also taught at the École polytechnique from 1847 to 1861. In 1851, he was appointed a Professor at the École des Beaux-arts, a position he held until 1863, when he retired, slowly giving up his private students and becoming more reclusive.
Condition report:
Good overall condition commensurate with age. An area of restoration on the upper right leg of the figure, in a dark area, which is not visible and does not detract from the overall image. Some light losses to edges of the canvas.
Wear Condition
Average
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Additional Delivery Info from Seller
Estimated delivery time
Less than one week
Free collection available
Yes
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Reviews
5.0
Based on 4 reviews
Wear conditions
Excellent
Shows little to no signs of wear and tear.
Good
May show slight traces of use in keeping with age. Most vintage and antique items fit into this condition.
Average
Likely to show signs of some light scratching and ageing but still remains in a fair condition.
Apparent Wear and Tear
Visible signs of previous use including scratches, chips or stains.
Please refer to condition report, images or make a seller enquiry for additional information.
Cancellations and Returns
Last updated: 12/02/2026
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14-day return guarantee
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| 50 — 99.99 | 5.50 |
| 100 — 199.99 | 11.00 |
| 200 — 399.99 | 21.00 |
| 400 — 599.99 | 30.00 |
| 600 — 799.99 | 40.00 |
| 800 — 999.99 | 50.00 |
| 1,000 — 1,499.99 | 55.00 |
| 1,500 — 1,999.99 | 60.00 |
| 2,000 — 4,999.99 | 82.50 |
| 5,000+ | 110.00 |
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