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Claude Muncaster Liverpool Docks Watercolour (1928)

£950 per item
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London, United Kingdom
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Dimensions
W 29 cm
x
H 19 cm
x
D 1 cm
Wear Condition
Wear conditions

Good

Material

Watercolour

Style

Vintage

Product Details

Description

We acquired a series of paintings from Claude Muncaster's studio. To find more scroll down to "More from this Seller" and below it click on "See all from this seller."

Claude Muncaster (1903-1974)
Liverpool Docks
Dated 1928
Inscribed to reverse
Watercolour

Muncaster's watercolours capture the English countryside feel with great competence and feeling. Here he records the docks at Liverpool, a busy scene with splashes of bright paint enlivening the otherwise dull smoky port. Liverpool

Claude Grahame Muncaster, RWS, ROI, RBA, SMA was the son of Oliver Hall RA. At the age of fifteen his career as a landscape painter began, and he soon took to the seas, spending the 1920s and 30s travelling the world with his sketchbook in a series of vessels. With the outbreak of war and he joined the RNVR training as a navigator. Having left school at fifteen his mathematics was very weak and it was a relief for all when his artistic talents meant he was recruited as a camofleur. A master of capturing seascapes he was therefore able to hide huge ships ‘in plain sight’ with clever disguises. After the war he painted for the Royal Family and was a frequent guest at Sandringham.

Claude Muncaster was a watercolourist known for his landscapes and maritime scenes. He was born Grahame Hall, the son of the Royal Academician Oliver Hall who taught his son to paint from an early age; Grahame first exhibited his work aged 15 and a few years later was showing at the RA. However, he adopted the name Claude Muncaster in 1922 to dissociate his career from that of his father.

Muncaster’s primary choice of subject matter came from a genuine love of the sea. He made several long-distance sea voyages, including one around the Horn as a deckhand in the windjammer Olivebank in 1931, which he described in ‘Rolling Round the Horn’, published in 1933. Armed with a sketchbook, his aim was to be able to ‘paint ships and the sea with greater authority’. This he certainly achieved, perfectly capturing the limpid first light of morning over the Port of Aden, the choppy rain-grey waters of the Bay of Biscay and a streak of sunlight through gathering storm clouds at dusk in Exeter. He became an Associate of the Royal Watercolour Society in 1931 and was a founder member, and later President, of the Royal Society of Marine Artists.

During the Second World War, Muncaster served in the Royal Naval Volunteer Reserve (RNVR) from 1940-44, training as a navigator before going on to advise on the camouflage of ships, and also worked as an official war artist. In ‘Still Morning at Aden’ (1944) he depicts Allied warships in this safe anchorage in the Middle East; the back is stamped with Admiralty approval.

In 1946-7 he was commissioned by the Queen to produce watercolours of the royal residences at Windsor, Sandringham and Balmoral; the Duke of Edinburgh, in a foreword to a biography of Muncaster, recalls looking at these and considering the artist’s ‘unerring instinct for a subject’, his sense of atmosphere. Other commissions included large panoramas of the Thames and of Bradford. His career also included work as an etcher, illustrator, writer, lecturer and broadcaster, and his paintings can be found in the Royal Academy, Tate, National Maritime Museum Cornwall, National Railway Museum and Royal Air Force Museum.

Condition report:

Good

Additional dimensions information:

Height: 7.49 in. Width: 11.42 in. Depth: 0.04 in.

Material
Manufactured
Style
Vintage
Origin
United Kingdom of Great Britain and Northern Ireland
Item location
London , United Kingdom
Period
Early 20th Century
Designer
Claude Muncaster
Brand
Unknown
Condition
Used
Professional Seller
5.0 (1 review)
Vinterior since 2019 • Read reviews

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5.0

Based on 1 review

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Melissa 25 Apr 2022
Good Communication - item arrived a little later than expected but the seller phoned to confirm shipment and apologised for delay which I found very helpful. Item was packed very well and arrived safely in perfect condition.

Wear conditions

Excellent

Shows little to no signs of wear and tear.

Good

May show slight traces of use in keeping with age. Most vintage and antique items fit into this condition.

Average

Likely to show signs of some light scratching and ageing but still remains in a fair condition.

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Visible signs of previous use including scratches, chips or stains.

Please refer to condition report, images or make a seller enquiry for additional information.

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