Richmond Bridge By Philip Connard
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Dimensions
Wear Condition
Good
Material
Watercolour
Style
Vintage, Edwardian
Product Details
Description
Philip Connard, R.A.
(1875-1958)
RICHMOND BRIDGE
Frame H. 62 cm. x W. 82 cm.
Image H. 42 cm. x W. 62 cm.
Signed lower left: Philip Connard
The painting titled "Richmond Bridge" by Philip Connard, R.A., R.W.S., depicts a tranquil riverside scene with the historic Richmond Bridge as its focal point. The bridge, constructed with multiple stone arches, spans the width of the river, creating a sense of stability and permanence. Above the bridge, the sky is painted with soft, muted colors, suggesting an overcast or misty day, which imparts a serene and somewhat melancholic atmosphere.
In the foreground, there are several figures along the riverbank and on a small dock, engaged in various activities. Some individuals are standing and conversing, while others appear to be preparing or tending to boats. The presence of swans gracefully gliding on the water adds to the peaceful ambiance of the scene.
The background showcases a blend of trees and buildings, painted with a gentle, impressionistic touch. The use of subdued colors and loose brushstrokes captures the hazy, diffused light of the day, emphasising the calmness of the setting. The overall composition is balanced and harmonious, with the bridge serving as a central element that draws the viewer's eye.
Connard's technique effectively conveys the quiet charm of this riverside location, highlighting the interplay between natural and man-made elements. The painting invites viewers to appreciate the quiet beauty and reflective mood of this picturesque scene.
Philip Connard was born in the affluent Lancashire seaside town of Southport on 24th March 1875. Raised within a family of modest means, he received only the minimum state education before joining the building trade as a housepainter. As a result of his employment, Connard quickly realised he possessed a dextrous hand, affirming the artistic inclination he had thought he held for much of his life. This natural ability was confirmed as he began attending evening art classes, excelling to such an extent that he was awarded a National Scholarship in 1886 to attend the Royal College of Art in South Kensington. A further award of the British Institute travelling scholarship allowed him to travel to Paris in 1898. He enrolled at the Académie Julian, a private art school which at this time had distinctly international outlook, featuring students of more than fifty nationalities. Like earlier British painters such as Walter Sickert and Wilson Steer, Connard’s time in the French capital shaped his artistic practice. He found himself enthralled with Impressionist painting, particularly its practice of en plein air which allowed natural light, shade and colour to be captured in a unique way, previously impossible inside the studio. Connard would develop a penchant for en plein air painting, often utilising it to give an idyllic glance into the rural excursions of the Edwardian upper-middle classes.
Condition report:
The painting and frame appear to be in overall good condition. For more detailed information, please contact us.
Additional dimensions information:
Image H. 42 cm. x W. 62 cm.
Wear Condition
Good
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Additional Delivery Info from Seller
Free collection available
Yes
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Reviews
5.0
Based on 1 review
Wear conditions
Excellent
Shows little to no signs of wear and tear.
Good
May show slight traces of use in keeping with age. Most vintage and antique items fit into this condition.
Average
Likely to show signs of some light scratching and ageing but still remains in a fair condition.
Apparent Wear and Tear
Visible signs of previous use including scratches, chips or stains.
Please refer to condition report, images or make a seller enquiry for additional information.
Cancellations and Returns
Last updated: 12/02/2026
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