Adam Weisweiler, Louis XVI Style Mahogany Console Table, 19th Century
Saint-ouen, France
£21,247 per item
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Item details
Height
89.0 cm
Width
123.0 cm
Depth
31.0 cm
Wear conditions
Good
Wear conditions
Excellent
Shows little to no signs of wear and tear.
Good
May show slight traces of use in keeping with age. Most vintage and antique items fit into this condition.
Average
Likely to show signs of some light scratching and ageing but still remains in a fair condition.
Apparent Wear and Tear
Visible signs of previous use including scratches, chips or stains.
Please refer to condition report, images or make a seller enquiry for additional information.
Description
Louis XVI style serving console in mahogany with three superimposed trays in the shape of a flattened half-moon and a straight belt with a rounded central notch.
It rests on four high tops, surmounted by uprights of composite form: inverted twisted and gilded balusters then in fluted balusters.
Rich ornamentation of chiseled and gilded bronzes such as brettée plaques, a frieze of ovals and water leaves and a gallery in the form of a frieze of openwork hearts on the lower plateau, water leaves and vines on the uprights, bay leaves and an identical gallery on the intermediate shelf.
The belt is adorned with pewter plaques painted in imitation of blue aventurine on which also stand out rich decorations of chiseled and gilded bronzes depicting cornucopias, wreaths of flowers, knots and perched birds. on flowering branches; the whole is framed and divided by frames and notched plates.
In the center of the belt, in the indentation, a circular Wedgwood porcelain medallion with a sky blue background and white bas-relief depicting the Three Graces, is surrounded by a frieze of gilt bronze ovals.
Three white Carrara marble tops in the shape of a flattened half-moon.
The inscription "Wedgwood" is also found behind the biscuit medallion. In view of its mark, the porcelain can be dated between 1812 and 1822. This indication, added to the fact that the plates imitating blue aventurine have marks in English on the back indicating their mounting position, allows us to suppose that it s 'is an English work from the first half of the 19th century.
Weisweiler worked extensively with the merchant-haberdasher Dominique Daguerre, who was notably established in London and could have been at the initiative of the reproduction of the original model, stamped Weisweiler, kept in Baltimore at the Walters Art Museum and coming from the collection of the baron Alfred de Rothschild then that of Henry Walters. This original copy has a Wedgwood bisque medallion depicting the “Sacrifice for Peace” recessed in the center of the console.
Cancellations
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Returns
We have a 14-day return guarantee for orders from individual sellers, within the UK and European Union. View full policy.
Estimated delivery time
More than two weeks
Free collection available
Yes
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- Selling at Vinterior since 2021
- 10 sales
- Ships from Saint-ouen, France
Seller Reviews
Cancellations and Returns
Last updated: 24th March 2025
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