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Item details

Height

26.0 cm

Wear conditions Wear conditions

Good

Wear conditions

Excellent

Shows little to no signs of wear and tear.

Good

May show slight traces of use in keeping with age. Most vintage and antique items fit into this condition.

Average

Likely to show signs of some light scratching and ageing but still remains in a fair condition.

Apparent Wear and Tear

Visible signs of previous use including scratches, chips or stains.

Please refer to condition report, images or make a seller enquiry for additional information.

Description

Derby porcelain figurine candlestick depicting Venus circa 1765 modelled with Cupid to one side and sconces above
The base, of swirled rococo scrollwork. 'Patch marks' on the base.
This figurine appears to be part of a unique collection of porcelain Derby figurines, which has been meticulously gathered over many years
The Derby Porcelain factory has its roots in the late 1740s, when Andrew Planché, a Walloon Huguenot refugee, started making simple porcelain toys shaped like animals in his back yard. In 1756 Staffordshire enameller William Duysbury and banker John Heath started a new porcelain factory with Planché and this was to grow out to the largest factory of its time, buying up the bankrupted Chelsea and Bow factories, as well as the stock of several other workshops including that of James Giles. The combination of various traditions, porcelain making skills and sophisticated clients enabled Duesbury to create one of the best porcelain factories of the 18th and 19th Centuries, which after many ups and downs is still operative today.
The reputation of the factory’s output was at its 18th century peak and in self-published advertising material, the “Derby Porcelain Manufactory” was proclaiming itself to be “the second Dresden”.
Duesbury maintained what would now be termed “retail space” independent of the Chelsea works, at a former pub – The Castle Tavern – in Bedford Street, Covent Garden. This was both a warehousing facility and an exhibition area, and was the shopfront for what had by now become “a very thriving and lucrative trade”. Derby porcelain was hand painted, some with with imari patterns, in London at the Chelsea pemises and the output from this dual operation is Chelsea Derby. Ultimately, the Chelsea site was closed down and the name Derby continued in increasingly splendid isolation, to the point where continued Royal patronage afforded Duesbury license to append a crown to his trademark, Royal Crown Derby Porcelain was born. It’s worth noting that Duesbury also used representations of the marks used on Sevres, Dresden and Berlin-made porcelain, as he considered his own wares to be superior to every other source other than those three.
Antique British porcelain is never perfect. Kilns were fired on coal in the 1800s, and this meant that china from that period can have some firing specks from flying particles. British makers were also known for their experimentation, and sometimes this resulted in technically imperfect results. Due to the shrinkage in the kiln, items can have small firing lines or develop crazing over time, which should not be seen as damage but as an imperfection of the maker's recipes, probably unknown at the time of making. Items have often been used for many years and can have normal signs of wear, and gilt can have signs of slight disintegration even if never handled. Some minor scratches, nicks, stains and gilt disintegration can be normal for vintage items and need to be taken into account.

Condition report:

Condition - cracks to socket; restoration to the bobèche; fleabites to edge of the bobèche; small losses to flowers and petals; restoration to Cupid’s right hand and tips of fingers on the left; chip to Cupid’s left wing; fleabites and tiny chips along the swirls of the rocaille base; fleabites along the edge of Venus’s tunic; restoration to Venus’ right arm along the shoulder line.
I have tried to describe the condition of the lot as fully as possible, as you can see from the extensive detail. However, please review all the photos carefully, and if you are in any doubt, please don’t hesitate to ask for further examination or additional photos.

Material
Porcelain
Manufactured
1700s
Item location
Buckland , United Kingdom
Period
18th Century and Earlier
Condition
Used

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Estimated delivery time

Less than one week

Free collection available

Yes

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Professional
5.0 / 5
Located in Buckland, United Kingdom
  • Selling at Vinterior since 2023
  • 16 sales
  • Ships from Buckland, United Kingdom
We're a small, family run business (Rita is our grandmother), and even though we’ve grown, this is still a labour of love. Starting out, we knew very little about antiques - where to find them, how to look after them or, if we’re being honest with ourselves, what they were worth. Fast-forward eight years, and we have an established presence online, and we are now incredibly proud to welcome you here, to the home of Rita’s Bazaar.

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Cancellations and Returns

Last updated: 17th October 2024

Our Terms of sale were designed to treat both Customers and Vendors (including Professional Vendors and Non-Professional Vendors (as defined in the Site Terms)) fairly, in order to make the shopping/selling experience with Vinterior just as exceptional as the items.

To protect our Customers from disappointment or the unexpected, we strongly encourage them to closely inspect item photos, descriptions, and details before purchasing anything on the Site, and then again upon delivery or pickup.

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In the rare event that an item arrives damaged or defective, you have 30 days from the date of delivery to return it for a full refund or to have the issue fixed when possible.

Please note that certain items are non-refundable, including those that are personalised, bespoke, or made-to-order according to your specific requirements.

Types of returns and responsibilities

Change of mind return

Consumers can return the goods due to a change of mind. Once a return is requested, the buyer is in charge of shipping the goods back to the seller and should organise it as soon as possible. Shipment costs to and from buyers are non-refundable.

Item not fit for purpose

Acting under the Consumer Rights Act 2015, customers may return faulty Goods that are damaged or the listing on the Site is materially inaccurate, misleading, or misrepresents the Goods. In these cases, the Customer must provide photographic evidence to Vinterior and the Vendor or reject the delivery on arrival.

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Vinterior must be informed of any damage in transit. If Proovia delivered the items, Vinterior will then raise an insurance claim on behalf of the Vendor with the delivery company. If the seller organised a delivery, they would be asked to raise a claim with their courier. Once the claim is resolved and any relevant decision regarding the insurance has been made, any applicable refunds will be processed.

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How you will be refunded?

Once the item is returned to the Vendor in the same condition, the Vendor will confirm receipt of the item, and Vinterior will refund the original payment method.

If an item is returned to the seller damaged or in an unsuitable condition, Vinterior will not be able to process the refund, and the seller may have to send it back (and ask you to cover the delivery costs). All items are inspected on return.

What can't be returned?

As with cancellations, the right to return an item does not apply to the following types of Goods, which are non-refundable: items that are personalised, bespoke or made-to-order to the Customer's specific requirements.

Please note that vintage items are not sold as new and are likely to show signs of wear and tear. This is not sufficient grounds for a refund.

Vendors may refuse a return of an item if the Customer has altered it in any way.

Neither Vinterior nor the Vendors are liable for any damages or loss sustained in transit via third parties.

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