Leopard (Blue) Screenprint, Op Art, Signed, Edition 91 Of 100, Framed
London, United Kingdom
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Dimensions
Wear Condition
Good
Material
Other Fabric
Style
Modernist, Vintage
Product Details
Description
Victor Vasarely
Leopard (Blue), 1988
screenprint in colours on Frank Gallo Cast paper
80 x 98 cm - sheet
106 x 124 cm - framed
Edition 91 of 100
hand-signed and numbered by the artist
The artwork features geometric abstractions that create an optical illusion of depth and movement. The form of the leopard is rendered through stylized spots and undulating shapes, recalling earlier Vasarely works like Zebra (1937). It is considered part of his later-career exploration of the "alphabet plastique" (a language of geometric shapes).
Victor Vasarely was a French-Hungarian artist credited as the father of the Op Art movement. Utilizing geometric shapes and colorful graphics, the artist created compelling illusions of spatial depth, as seen in his work Vega-Nor (1969). Vasarely’s method of painting borrowed from a range of influences, including Bauhaus design principles, Wassily Kandinsky, and Constructivism. Born Vasarhelvi Gyozo on April 9, 1906, in Pecs, Hungary, he briefly studied medicine at university, but at the Muhly Academy in Budapest, where the syllabus was largely based on Walter Gropius’s Bauhaus school in Germany. After settling in Paris in 1930, Vasarely worked as a graphic artist while creating many proto-Op Art works including Zebra (1937). The artist experimented in a style based in Surrealism and Abstract Expressionism during the 1940’s before arriving at his hallmark checkerboard works. Op Art went on to have several practitioners including Bridget Riley and Yaacov Agam. Vasarely died at the age of 90 in Paris, France.
Victor Vasarely is internationally recognized as one of the most important artists of the 20th century. Vasarely is the acknowledged leader of the Op Art movement, and his innovations in color and optical illusion have had a strong influence on many modern artists. In 1947, Vasarely discovered his place in the abstract art. Influenced by his experiences at Breton Beach of Belle Isle, he concluded that “internal geometry” could be seen below the surface of the entire world. He conceived that form and color are inseparable. “Every form is a base for color, every color is the attribute of a form.” Forms from nature were thus transposed into purely abstract elements in his paintings. Recognizing the inner geometry of nature, Vasarely wrote, “the ellipsoid form… will slowly, but tenaciously, take hold of the surface, and become its raison d’etre. Henceforth, this ovoid form will signify in all my works of this period, the ‘oceanic feeling’…. I can no longer admit an inner world and another, an outer world, apart. The within and the without communicate by osmosis, or, one might rather say: the spatial-material universe, energetic-living, feeling-thinking, form a whole, indivisible…. The language of the spirit is but the supervibrations of the great physical nature.” Vasarely’s works are presently held in the collections of the Albright-Knox Art Gallery, the Art Institute of Chicago, the Tate Gallery in London and the Peggy Guggenheim Collection in Venice.
Condition report:
Excellent. some minor wear to the frame.
Wear Condition
Good
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Additional Delivery Info from Seller
Free collection available
Yes
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Wear conditions
Excellent
Shows little to no signs of wear and tear.
Good
May show slight traces of use in keeping with age. Most vintage and antique items fit into this condition.
Average
Likely to show signs of some light scratching and ageing but still remains in a fair condition.
Apparent Wear and Tear
Visible signs of previous use including scratches, chips or stains.
Please refer to condition report, images or make a seller enquiry for additional information.
Cancellations and Returns
Last updated: 12/02/2026
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